An episode about Gance, covering his life and movies from birth to just before of the release of his monumental film J'accuse.
An episode about Gance, covering his life and movies from birth to just before of the release of his monumental film J'accuse.
An episode all about proper (or not explicitly patriotic) melodrama as it was developing in France during the war. Who were these movies made for? What were they about? Well, let's find out.
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This episode is a little smaller in scope than usual. But like one my great podcasting heroes, my ambition for this show is to tell the history of film without any gaps. We cover two examples of an important, though ultimately short lived, sub-genre: The Patriotic Melodrama. We discuss and analyze the 1916 film Alsace, directed by Henri Pouctal, and the 1917 Mothers of Frances, directed by René Hervi .
If you would like to email me you can do so at historyoffilmpodcast@gmail.com
History of Film Discord: https://discord.gg/Ud8EcEzvSF
Letter Boxed: https://boxd.it/3cZn3
In this episode we cover just how, exactly, American cinema came to dominate Europe in the wake of WW1. We take a look at the economic practices that facilitated the "invasion" of American cinema onto French screens. We also examine one picture in particular, The Cheat, which exemplifies the technical sophistication of U.S. national cinema, and that film's reception by the City of Lights.
If you would like to email me you can do so at historyoffilmpodcast@gmail.com
History of Film Discord: https://discord.gg/Ud8EcEzvSF
Letter Boxed: https://boxd.it/3cZn3
This week we cover the effect of The War on the French film Industry. While The Conflict's Titanic needs did a real number on French production, it did also help develop a new kind of documentary filmmaking: The Newsreel, which was then put to work in service to the Republic.
If you would like to email me you can do so at historyoffilmpodcast@gmail.com
History of Film Discord: https://discord.gg/Ud8EcEzvSF
Letter Boxed: https://boxd.it/3cZn3