The Book Review

Set in New York in the 1980s, Adam Ross’s new novel, “Playworld,” tells the story of a young actor named Griffin as he navigates the chaos of the city, of his family and of being a teenager, and the dangers that swirl around each. 

Although “Playworld” grapples with bleak material, it sparkles with Ross’s vivid eye and sardonic sense of humor. The result is a dark, off-kilter bildungsroman about one overextended teenager trying to figure himself out while being failed, continually, by every adult around him.

On this week’s episode, the Book Club host MJ Franklin discusses “Playworld” with his colleagues Dave Kim and Sadie Stein. 

Here are the books discussed in this week’s episode:

“Playworld,” by Adam Ross

“Mr. Peanut,” by Adam Ross

“The Catcher in the Rye,” “Nine Stories,” “Raise High the Roof Beam, Carpenters and Seymour: An Introduction,” and “Franny and Zooey,” by J.D. Salinger

“Long Island Compromise,” by Taffy Brodesser-Akner

“How Little Lori Visited Times Square,” by Amos Vogel, illustrated by Maurice Sendak

“The Squid and the Whale,” directed by Noah Baumbach

“The Goldfinch,” by Donna Tartt

“Headshot,” by Rita Bullwinkel

“The Copenhagen Trilogy,” by Tove Ditlevsen

“Jakob von Gunten,” by Robert Walser

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Last summer, when The New York Times Book Review released its list of the 100 Best Books of the 21st Century, one of the authors with multiple titles on that list was Hilary Mantel, who died in 2022. Those novels were “Wolf Hall” and “Bring Up the Bodies,” the first two in a trilogy of novels about Thomas Cromwell, the all-purpose fixer and adviser to King Henry VIII.

Those books were also adapted into a 2015 television series starring Mark Rylance as Cromwell and Damien Lewis as King Henry. It’s now a decade later and the third book in Mantel’s series, “The Mirror and the Light,” has also been adapted for the small screen. Its finale airs on Sunday, April 27.

Joining host Gilbert Cruz on this week’s episode is Mantel’s former editor Nicholas Pearson. He describes what it was like to encounter those books for the first time, and to work with a great author on a groundbreaking masterpiece of historical fiction.

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A century after “The Great Gatsby” was first published, F. Scott Fitzgerald’s slender novel about a mysterious, lovelorn millionaire living and dying in a Long Island mansion has become among the most widely read American fictions — and also among the most analyzed and interpreted. As the Book Review’s A.O. Scott wrote in a recent essay about the book’s centennial: “What we think about Gatsby illuminates what we think about money, race, romance and history. How we imagine him has a lot to do with how we see ourselves.”

Scott joins the host Gilbert Cruz on the podcast this week to discuss Fitzgerald’s novel and its long afterlife, looking at the ways “Gatsby” has made its way into the fabric of American culture.

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In his new novel, “Twist,” the National Book Award-winning Irish writer Colum McCann tells the story of a journalist deep at sea in more ways then one: A man adrift, he accepts a magazine assignment to write about the crews who maintain and repair the undersea cables that transmit all of the world’s information. Naturally, the assignment becomes more treacherous and psychologically fraught than he had anticipated. On this week’s episode, McCann tells host Gilbert Cruz how he became interested in the topic of information cables and why the story resonated for him at multiple levels.

“Now, I don’t know if the novel is prescient in any way. I wanted to talk about repair. And when I got deep into the subject, I did talk about repair — which is, human repair or actual repair of a cable. But I also ended up talking about sabotage, too. And the sabotage of these cables is something that has to be on our minds.”

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The novel “We Do Not Part,” by the Nobel laureate Han Kang, involves a pet-sitting quest gone surreal: It follows a writer and documentarian whose hospitalized friend beseeches her to take care of her stranded pet parakeet on an island hundreds of miles away. When she arrives, the writer finds not only the bird but also an apparition of her friend, who has a devastating history to tell.

Transforming real life into a haunting dreamscape, “We Do Not Part” is about grief, tragedy, the weight of the past, and the painful but essential work of remembering, delivered by one of the most electrifying writers working today. (Han’s 2016 novel, “The Vegetarian,” won the International Booker Prize and was chosen as one of The New York Times’s Best Books of the 21st Century.) On this week’s episode, the Book Club host MJ Franklin discusses “We Do Not Part” with with fellow Book Review editors Lauren Christensen and Emily Eakin. 

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